I will be teaching two new classes this year building a trestle table at Little Miami Handworks in Bellbrook Ohio
The table we will be building is one that I came up with using design elements from several vintage tables. One cool thing about this design is that the table breaks down for storage or transport (more about that here).
We will build the tables from locally sourced white pine and oak. The length and width of the table will be somewhat variable at around 6′ in length and 32″ to 34″ in width. It is a five-day class, the cost is $750 plus a $200 material fee. The sign-up page for the class can be found here.
Whether you’re a teacher, a doctor or a cabinetmaker, it’s sobering to subject yourself occasionally to the kind of conditions your students, patients or clients experience while in your care. The past few weeks have reminded me how disturbing a kitchen remodel can be…which seems appropriate, given that I’m working on a book about kitchens for Lost Art Press.
Mark: Where the *#@$ are the knives?
Mark: Where did you put the salt and pepper? Salt and pepper!How is it possible to forget the location of such basic things?
Me: I JUST. HAD. THAT &^$% CAST IRON GRIDDLE. WHERE DID I SET IT DOWN????
Time to do some dishes? Nah. There’s still plenty of room in that tub.At such moments I feel a special kind of empathy for my kitchen clients: the ones who wash dishes in the bathroom sink not for weeks, but months, because they just had to have that handmade faucet from England (the one that arrived damaged and had to be replaced — apparently with plating made from nickel newly mined and shipped on a slow boat from Botswana). The ones who have to endure complaints from their smart-Alec kids (“Why are you tormenting us?” — overheard in a kitchen where Daniel O’Grady and I were working in 2005). The ones who plan their remodel in two phases stretching over a calendar year so their income can catch up with the costs, and patiently live out of boxes. And especially the ones who camp out in their basement while doing their own remodel and building their own cabinets.
Granted, our chaos is more pervasive than it should have been. We’d had this kitchen work on the horizon but hadn’t planned to let rip when we did. Mark had an unexpected opening in his schedule one morning when a client wrote to say she was seriously ill and suggested that he and his crew might prefer to avoid exposure to contagion. I leapt at the chance to get our kitchen started and (like a champ) dispersed the contents of the cabinets to the far corners of the house before work that morning.
When planning the hayrake table I built last year*, I decided to modify the original dimensions of the 1908 drawing by Ernest Gimson so that Mark and I could use it in our home. Our house has no dining room; we cook, clean up, and entertain guests in the kitchen.
Getting there. This pic documents the stretcher and legs assembled dry so that I could measure for the apron.It seemed like a good idea. We missed the farmhouse table in our previous kitchen, which had also served as our dining room. Even though the old enamel-topped worktable I’ve been moving around for more than 25 years worked fine for meal prep and eating, we thought it would be lovely to have a homemade table where guests would feel like guests instead of warm bodies who might be pressed into service chopping or kneading.
But as soon as we carried the table into the kitchen I realized I’d opened a can of worms. The delightful retro-style vinyl composition tile I’d put down when I first moved in (because it was affordable and I could do all the labor myself in my spare time) was an affront to the Cotswold School-style table, never mind the pair of two heart chairs based on a turn-of-the-century design by C.F.A. Voysey. That floor would have to go. The table called for flagstones softened by centuries of wear; the least we could give it was a floor of wood.
Yes, I know. It’s out of sync. The hayrake table and chairs (made for the book on English Arts & Crafts furniture) along with the pair of bona fide 19th-century English antiques call for something more austere than the surroundings visible here. My apologies to the furniture.
As tends to happen when you tinker with one feature of a room, we decided that if we were going to the trouble of replacing the floor (which would entail removing *everything* from the kitchen), I should strip the cabinets I’d made in my spare time, years ago, when I was using my home to experiment with unusual materials and finishes. (Translation: The finish looked like crap.)
“Well, if we’re taking out the cabinets so you can strip them, I’d like to talk about a better sink,” Mark said. The sink was a salvaged double-drain model (though, being from the ’50s, it was made of pressed metal instead of cast iron as its forebears would have been a half-century before) — perfectly serviceable, and really, quite charming, but with basins that were annoyingly shallow and too-thin enamel that had worn through in some areas, allowing the steel to rust.
And if we were going to get a better sink… Well, there went my cheerful retro linoleum counters.
A simple table brought into our home proved the tip of a shipwrecking iceberg. At lunchtime on Thursday we reached a point sufficiently up the other side of the bell curve that I thought it was time for a punch list. Wishful thinking. It looks as though there will still be a few weeks of “Where’s that *%^& pan” and “What did you do with the oregano/pasta pot/tin foil/fruit cutting board?”
Still to do (and no doubt I’m missing a few things, but “strip rest of doors” and “new drawer faces” are too central for a punch list). (And no, I don’t really spell light “lite,” other than when writing in haste.)No guest room is complete without an espresso pot, book about brewing by @ladybrewbalt and copy of Hammer Head.***
Sure, I get that these are trifling inconveniences compared to going weeks without running water or months without electricity, never mind facing war, disease or starvation. But I’d forgotten just how deeply my basic ability to function — mentally as well as physically — is grounded in the orderliness of the kitchen. It really is the nexus of our home.
Doesn’t everyone have a mixer in his or her office?A demonstration of the ingenious device known as a Shoulder Dolly: Why use a dolly with wheels when you can bear the weight of a big-a$$ fridge on your spine? (Seriously, though, it is a clever and useful bit of strapping.)–Nancy Hiller, author of Making Things Work
*for a book about English Arts & Crafts furniture scheduled for publication by Popular Woodworking this June
Every so often something reminds you that serious injury is only a heartbeat away.
I had one of those experiences yesterday in the shop. The culprit: a scrap of plywood — well, that and a moment’s inattention as I walked across the floor after answering a phone call.
I’d been using the plywood scrap, an offcut of the prefinished maple I use for kitchen cabinet carcases, as a spacer to hold drawer slides at the requisite height while I screwed them in place. I had my camera and tripod set up nearby, to document the process for the book about kitchens that I’m working on for Lost Art Press. After installing the slides, I took the spacer out of the cabinet and set it on the floor without another thought.
The offending piece of scrap (here with finished side up), with Joey for scale.As I crossed the floor to return to work I inadvertently stepped on the piece of plywood, which happened to be lying with the finished side down. I might as well have stepped onto a sheet of ice. It was one of those slow-motion moments as my mind assessed the likely result: “My head is probably going to hit this concrete floor.” Fortunately, while my mind was analyzing the situation my body was taking action. I felt my torso jerk up and around, saving me from the fall.
But ouch: a sharp stab from left hip to right shoulder. No concussion, thankfully, but hello, my old friend Muscle Spasm. It’s off to the chiropractor Monday morning.
Lesson learned: Never leave prefinished plywood on the floor, especially with the shiny side down.–Nancy Hiller, author of Making Things Work
To start the new year off with a bang, feast your eyes on this gobsmackingly gorgeous kitchen.
I don’t even remember how Joe Oliver and I became acquainted, but I’m so glad we did. Joe operates Retro Stove & Gas Works based in Chicago and shares my love of old kitchens. Two days ago he sent some snapshots from a recent repair job in a kitchen that’s a treasure trove of original detail. I’m hoping Joe’s customers will allow me to include their kitchen in the book I’m writing for Lost Art Press. In the meantime, here are a few photos provided by the homeowner to whet your appetite.
Although the range hood, island and microwave are not original, the Sellers cabinets are. Check out that tiled arch over the window. My heart! I am mad for this kitchen. Joe points out that the yellow tiles are not ceramic, but a sheet material such as linoleum.Joe identifies this as a pre-World War II Roper. Those control knobs have me swooning.
You can read more about this kitchen and Joe’s approach to repair work at his blog. My favorite quote:
Not all 7 1/2 hour service calls take the same amount of time to prepare for, thank God. Most take between 30 to 60 minutes. Occasionally, however, the needs of a vintage stove push your friendly service technicians to extremes. So when you require help for that 3/4-century old stove which hasn’t required a dime for repairs all the years that you’ve owned it, please grant us some understanding when we charge a service fee to show up at your door. We have probably earned it.
An issue has emerged concerning the counter top. As currently configured, the counter top will cover the dishwasher control panel. The dishwasher needs to move about 3 inches out from under the counter top. Please suggest a time when we can have a telephone conversation.
There’s nothing like getting up the day after Christmas to news of a work-related problem.
Being the kind of person whose first response to such communiqués is anxiety, I immediately go through a systematic reality check.
1. Look: Pull up the snapshot of the island where the dishwasher door is visible. Check: The door is protruding from the adjacent cabinets exactly as it should. (A bit of advice: Take progress shots, especially when working on jobsites. It’s helpful to be able to look at a picture on your phone when your jobsite is an hour’s drive away.)
2. Think: Who installed the dishwasher? The clients’ builder, who installs them all the time. Check: The installation is probably correct, though I won’t stop worrying until I know for sure.
3. Think some more: Is there really a problem? Don’t the overwhelming majority of dishwashers get installed under counters? Don’t you think a global leader in dishwasher design such as Bosch would have planned for this? That does make sense; you probably program the controls with the door open, then shut it. (Full disclosure: We don’t have a dishwasher. I prefer to use those 12 cubic feet of space in our small kitchen for storage.) Still, I won’t stop worrying until I know for sure.
4. Google “Bosch top of door controls dishwasher.” While installation manual is downloading, do a quick search of email records. Did I advise them to buy this dishwasher, in which case I should have known of any unusual installation requirements? No. The only relevant communication was in October, when my clients told me they were looking seriously at dishwashers. And there it is, on page 37: “Note: With hidden controls, the door must be opened before changing settings and closed after changing settings.”
5. Reply to client, adding that if I’ve misunderstood the nature of the problem, I will be glad to talk by phone. Press “send” and hope the problem is resolved.
6. Relief:
Yes, now we see how the dishwasher works, have reread the manual and are relieved to see that our concerns were unfounded. We both apologize for our confusion!! So sorry to start your day with unnecessary worries!!
7. Schedule appointment with mental health professional. Oh, wait. I don’t have one.
Festive fruit bread (a hybrid of “French fruit braid,” “Easter tea ring” and “Stollen” from Cordon Bleu: Baking, Bread and Cakes (B.P.C. Publishing, 1972)