No man ever finished his work, for each task is but a preparation, which, being completed, should be put under our feet, that we may thenceforward labor on a higher level. Thus, no true worker was ever satisfied with what he accomplished, for, by doing that, he had qualified himself to do something better.
George Houghton
The Hub – August, 1875
—Jeff Burks
De Dorpstimmerman – Tony Lodewijk George Offermans (1854-1911)
Today we had to assemble 18 dovetailed Dutch tool chests during a two-hour period. We had glue. We had mallets. But we didn’t have any clamps that were long enough.
So we fetched the hammers and the nails.
When you look at lots of old furniture, you’ll come across a fair number of them where the dovetails are nailed. If you are a regular visitor to The Furniture Record, then you have seen this joinery method before.
Sometimes it is obvious that the nails were added later for some reason – waffle-headed roofing nails on an 18th-century piece are a clue. Other times the nails look like they are as old as the piece and were added by the maker.
When I announced we were nailing the dovetails during this class at Lie-Nielsen Toolworks, I saw a few raised eyebrows. But as there were no clamps, so everyone dove in.
To assemble these chests, we used 6d cut hinge nails from Tremont. The hinge nail is a headed nail, so it is ideal for fastening chores such as this. All the chests went together in less than two hours and are all as tight as ticks.
And people often ask: “Do you really like to travel so much?”
The answer to each question is wrapped up in the other question. Then dipped in batter. And deep fried. The truth is that traveling is impossibly stimulating. The world is made of wood, and if you will allow yourself to be consumed by it, it will reward you with both insight and a way of life.
For the last two days I have been immersed in the world of minister Jonathan Fisher, an 18th-century Renaissance man who traveled to the wilds of Maine in the name of God and tamed them in a way that has touched generations of people in the 19th, 20th and 21st centuries. Thanks to woodworker Joshua Klein and Thomas Lie-Nielsen, I’ve spent the last two days examining Fisher’s tools, furniture, paintings, house, lathe, workbench and camera obscura (for starters).
I could write a few sentences about Fisher here, but they would be weak. (Here’s an all-too-brief account.) Fisher was a polymath in a way that no blogger could condense or compile. He was astonishingly industrious. He left a long legacy of tools, furniture, maps, architecture, drawings, schools, paintings and writing that all give an amazing glimpse into the early American mindset.
He was, in fact, the prototypical American. He did everything. And he tried to do it well.
During the coming weeks I hope to post photos of Fisher’s tools and work here on the blog. I think you will like what is to come. His efforts represent what many of us hope to achieve in our own lives. But when you look at Fisher’s body of work, you can say only one word.
If you don’t know what to do, don’t do anything, then you waste nothing but your time and are not likely to waste any material. It is better to do nothing than to do something wrong. It affects the nerves of the boss less, as well as leaving more money in his purse.
If you do not know what is the right thing to do, and do not find out from those that do know, and thereby do something wrong, the error is yours, and you alone are responsible. It is a poor excuse to say that you weren’t told not to do it the way you blindly went at it. It doesn’t cost near as much to ask questions as it does to do the job a second time.
If you start to do a job without a clear idea of the result you wish to attain you are like a man with his eyes blindfolded going over a rocky road: you will stumble often and make many a start only to fall down again. Whereas if you have planned your job beforehand you will see the rocks in the way and go around them instead of falling over them.