Lost Art Press

Sawing Lumber in Japan

Posted on by fitz
in_the_mountains_of_totomi
‘In the Totomi Mountains’ by Katsushika Hokusai (1830-1833)
From the series – Thirty-Six Views of Mount Fuji

I gave a series of experiments one day in my lecture-room before the governors of the province and a large number of people who came in from mere curiosity. I wanted to show the officials my model saw-mill, having a small circular saw run by a diminutive steam-engine.

I told them it was a pity to see dozens of men and boys with long hand-saws sweltering and working the whole day in sawing boards from a single log, as I had seen them do in building my house, when a modern saw-mill could perform ten times the amount of work in half the time.

They watched my little machine as it cut rapidly through small sticks of wood, and then said it was very wonderful; but, if they were to establish such a saw-mill in Shidzuoka, it would be mobbed or raise a riot among the workmen.

Edward Warren Clark
Life and Adventure in Japan – 1878
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Sawing Lumber in India

Posted on by fitz

 

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Image from ‘Ackerbau der Morgenländer’ (Agriculture of the Orientals) – 1772

“ The Indian carpenter knows no other tools than the plane, chisel, wimble, a hammer, and a kind of hatchet. The earth serves him for a shop-board, and his foot for a hold-fast; but he is a month in performing what one workman will do in three days.”

“ The sawyer places his wood between two joists fixed in the ground ; and, sitting carefully on a little bench, employs three days, with one saw, to make a plank which would cost our people an hour’s work.”

Robert Mudie
The Picture of India: Geographical, Historical & Descriptive, Volume 2 – 1830
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Sawing Lumber in China

Posted on by fitz

china_sawing

In China, the sawyer’s, the carpenter’s, the joiner’s, and the sashmaker’s trade are all exercised by the same person. There are no saw-mills, planing machines, or sash factories, and in sauntering about the streets of the cities, at the door of a shop, or new building, may be seen one or two men sawing boards from the logs, and inside other workmen manufacturing them into the different forms for constructing or finishing a house.
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The Quality of Fruit Crates in 1960s California

Posted on by Lost Art Press

2006Rumbler

The first project I can remember making on my own was a small wall sconce or shelf I had seen in a magazine. I told my parents that I wanted to make it and, being enablers, they got me started. We had a coping saw frame and no blades (I am sure my brothers and I had broken them all at some point), so my dad took me down to Perrozzi’s Hardware in Lompoc, Calif., and we picked up some blades. On the way home, he swung the Rambler American behind the Safeway store and found a fruit crate with wood suitable for my project.

It is important to know that both my parents grew up in the Great Depression so we learned the practice of thrift, something that shows up in my forthcoming DVD, “The Naked Woodworker.” My 90-year-old mother still saves more plastic bags than she will ever use under her kitchen sink, along with foil and other things one might need in a pinch.

The quality of pine in fruit crates back in the day was pretty good, so I had some decent material to work with. I sawed and nailed my shelf together and smeared on some mahogany-colored stain and varnish mix that was in the garage. I don’t know what happened to that shelf, but I am pretty sure that it was “lost” in one of our moves.

It is hard to believe that was more than 50 years ago. Since then I have built houses and cabinets, clock cases and coffins, even a wooden car. I still look forward to the next project with some of the same anticipation I felt as we searched through the fruit crates behind the grocery store for the proper shelf material so many years ago.

No matter your age or ability woodworking is great fun, so grab your coping saw and jump in! You’ll meet some great people along the way and you might even end up with a shelf, or a car!

— Mike Siemsen, Mike Siemsen School of Woodworking

Melencolia Square, Part 4: Look for a Sign

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Wiener_Gewerbewappen_Tischler

One of the signs that this near-vanished square was an important part of the woodworker’s kit is that it was used in signs and heraldry related to the craft.

The above image is the Cabinetmakers Coat of arms of the Vienna Commercial Co-operatives, circa 1900 (thanks to Jeff Burks for digging these images up). What makes this image particularly interesting is the metal sleeve around the blade of the square.

Could the metal sleeve be movable? Perhaps secured by a screw at the end of the brass flower? If so, it might be the long-lost ancestor to the Veritas Sliding Square.

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Exhibit B: This is a 1554 wooden sign commemorating work done by the cabinetmakers guild in the Church of the Brethren; the photo is from the microfilm collection at the Städtisches Museum in the city of Braunschweig.

The Melencolia square is shown intertwined with a try square, next to a compass and above a plane – three of the most iconic early woodworking tools.

Carvedshopsign18th

Exhibit C: An 18th-century shop sign from France. The square is crossed with a compass and try square. Thanks to Maurie Pommier, author of “Grandpa’s Workshop,” for pointing out this one, which is featured in W.L. Goodman’s “The History of Woodworking Tools.” This image was hiding in the section on saws.

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And lastly, here is the square shown in the coat of arms for the joiners guild in Germany during the last decade of the 19th century. In this image there is no try square – only a compass, plane and the Melencolia square.

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Next up: The easy-to-make Wierix Square. Or, as I call it, “Die Fledermaus.”

— Christopher Schwarz

The other articles in this series:
• The Melencolia I Square, Part 1
• Melencolia Square, Part 2: An Angular English Friend
• Melencolia Square, Part 3: Construction