These midweight American Apparel sweatshirts are available in sizes small to XXL. The price is $45 (XXLs are $1 more). Some customers have reported the sweatshirts are a bit snug. So before you order, check out this sizing chart for this particular sweatshirt. If in doubt, order one size larger than you typically wear.
In my personal experience, American Apparel sweatshirts loosen up over time, becoming a little more baggy than when new (just like me!).
We’re going to keep this sweatshirt in stock as best we can through the winter months. Order early, however, to avoid delays and disappointment.
I am finally – finally – getting my butt in gear on “The Furniture of Necessity,” building the projects for my next book.
The most recent project has been this aumbry. What’s an aumbry? If you don’t follow my blog at Popular Woodworking Magazine, here’s the shorthand. An aumbry is an early case piece used to store food, books or anything of value.
You might argue that aumbries are only for holding the sacrament in a church, but you’ll have to talk to Victor Chinnery about that. (See also: Misnomers, Bible Boxes.) My interest in the aumbry stems from the fact that the form evolved into many pieces that we use today: bookcases, cupboards, armoires and the lowly kitchen cabinet.
Oh, and aumbries are dang fun to build.
In essence, an aumbry is nailed together and features some gothic tracery on the front. The tracery is not merely decorative. It allows air to circulate inside the carcase.
The piercings were covered with cloth on the inside of the case to keep the bugs away. My guess (and the guess of others) is that the cloth would have been undyed linen, which is made from flax.
This aumbry was made from off-the-rack quartered and rift oak. The finish is boiled linseed oil, a wee bit of varnish and brown wax. The hardware is from blacksmith Peter Ross. If you are going to build one of these for yourself, you might want to drop Peter a line now to get in line for the lock, H-hinges and nails needed to build the piece.
All the hardware is secured by clenched wrought nails. It’s a fun way to install hardware (if you like driving while blindfolded).
I haven’t installed the linen yet; I’m waiting until after a photo shoot next week. While I wait, I’ve been sketching up the drawings for the plate for this project and other plates in “The Furniture of Necessity.” The engraver is going to make these look very nice. So ignore my pixels.
The next project for “The Furniture of Necessity:” Welsh chairs. I can’t wait.
Most of the verbiage I’ve read about the H.O. Studley tool chest has been misleading, candy-coated or just silly. I can say this because I’ve spent the last five years embedded with Don Williams, the author of our forthcoming book “Virtuoso: The Tool Cabinet and Workbench of H.O. Studley.”
Thanks to the scholarship of Don and his research assistants, we now have a clear(er) picture of Studley and the history of his chest and workbench.
For the first look at some of the real Studley story, I recommend you check out Matt Vanderlist’s blog at “Matt’s Basement Workbench” this coming Friday. Matt was kind enough to do a Skype interview with Don and Narayan Nayar, the photographer on the project.
They chatted with Matt last week while sitting in front of the chest and discussed some of the questions many woodworkers ask: Who was Studley? Why did he build the chest? And what will become of it?
Matt will publish the full 30-minute interview on his blog for free this Friday. Those who support Matt as a Patreon will also get a (very) cool segment we did on the workbench with Narayan manning the camera.
If we planned to market “L’art du menuisier: The Book of Plates” to a second genus, it would likely be to the Corvus of the world – the crows. Not only do these birds appreciate shiny objects, but they have been observed both using and making tools (unlike some members of online forums).
Suzanne “Saucy Indexer” Ellison has been spending her free time transforming pre-press proofs of “The Book of Plates” into an art project. Here are her latest images.