Lost Art Press

The Japanese Toolbox (Finally)

Posted on by Lost Art Press

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When I got the privilege to measure an antique Japanese toolbox in 2013, I knew I had to build a reproduction. I just didn’t know it was going to take me two years to get around to making this simple but beguiling box.

The first problem was the hardware. I spent entirely too much time searching all over the world for manufactured dome-head nails to secure the toolbox’s finger joints. I came very close to finding the right nails in France and then again somewhere out in the desert. But there was always something fouling the works – the size of the head, the length of the shaft or the raw material (silver is probably a poor choice).

So I conned John Switzer at Black Bear Forge to make the nails and pulls. Note to self: Start with a blacksmith next time.

The wood was the next hurdle. Logically, I should build the toolbox using pine or cypress – a lightweight and strong wood that is easy to get. But I want the venti experience, so I started looking for Port Orford cedar. A fair amount of this stuff is exported to Japan for woodworking and building temples, so that would be a nice wood to use.

As I’m in the Pacific Northwest this week, I decided to spend a morning hunting up some Chamaecyparis lawsoniana in the Portland, Ore., area. After about 10 phone calls, I found a yard that had some. When I got there, I found they had three short boards. Three short boards that were split, warped and pecked with loose knots. I call this stuff: firewood.

Luckily, the yard had some gorgeous, dry-as-a-popcorn-fart vertical-grain Douglas fir. So I purchased an 16’-long clear stick of this wood as a backup plan. The antique toolbox I measured was quite possibly made from Douglas fir, according to the people who studied the box along with me.

The employees at the lumberyard were nice enough to cut the stock up into manageable chunks for my rental car so I could ship it back to Kentucky.

Mission accomplished. Or perhaps not. More on this story on Monday.

— Christopher Schwarz

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An Unusual Invention

Posted on by fitz

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The novel firearm shown in the accompanying engraving consists of a short barrel attached to a base plate that slides upon two rods projecting from the handle. The barrel is pressed forward by spiral springs which surround the guide rods. The handle or stock is similar to a saw handle, and contains a lock or spring mechanism which throws the needle forward into the cartridge when the trigger is pulled.royals_patent

The recoil which follows the discharge of the weapon is taken up by the spiral springs, thus relieving the hand from the shocks which generally follow the discharge of firearms.

This weapon would seem to be especially useful in fighting at close quarters, as in the case of a marine engagement. Its large caliber enables it to carry formidable and effective ammunition, while its length is such that it can be used when rifles and ordinary pistols are useless. Either shot or shells may be used.

This firearm was recently patented by Mr. Jarvis Royal, of Rochelle, Ill., from whom further information may be obtained.

Scientific American – January 25, 1879

—Jeff Burks

Keeping Tools

Posted on by fitz

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Keep your tools handy and in good condition. This applies everywhere, and in every place, from the cobbler on the bench to the greatest mechanical establishment in the world, and in no place is it more necessary than in wood-working concerns. Every tool should have its exact place as much as a note in an organ, and should always be returned to its place when not in use.

Having a chest, or any receptacle with a lot of tools thrown into it promiscuously, is just as bad as putting the notes into an organ without regard to their proper place. If a man wants a wrench, chisel or hammer, it’s somewhere in the box or chest, or somewhere else, and the search begins. Sometimes it is found—perhaps sharp, perhaps dull, maybe broken; and by the time it is found he has spent time enough to pay for several tools of the kind wanted.
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