I promised to post more today about this book coming from Jennie Alexander and Peter Follansbee.
I don’t mean to go all Robin Lee on you, but isn’t that a nice photo above of some fine turnings and mortises?
More tomorrow.
— Christopher Schwarz
Category: Uncategorized
Classes I’m Teaching in 2012
Earlier this year, I announced that I wouldn’t be teaching any woodworking classes in 2012 in order to give my family a break from my sometimes-hectic travel schedule.
After stepping down as editor of Popular Woodworking Magazine in June, my wife and I reconsidered that decision, and I will be teaching an abbreviated class schedule in 2012. Many readers have requested my teaching schedule so they can request vacation days from their employer. And though I am still ironing out the details with a couple schools, I decided to go ahead and post my schedule as it stands now.
Some important caveats:
• Some of these topics and dates might change slightly, though my hope is that nothing will change.
• I also hope to teach a class on building “The Anarchist’s Tool Chest” at Roy Underhill’s school sometime in 2012, but we are still trying to find the best dates.
• Registration has not begun at many of these schools for 2012 so you might have to be patient.
• What I am posting below is all I know at this point. So with those big caveats, here is the line-up.
Feb. 25-26
Woodcraft of Atlanta
“The Best Layout Tools Money Cannot Buy”
We build a Roubo try square, inlaid winding sticks and a traditional straightedge, three of the most important layout tools for the hand- or machine-tool woodworker. This will be a one-day class.
Second one-day class: Perhaps something on sharpening, dovetails or building a sawbench. We’re still working on it.
April 10-14 (yes, Tuesday to Saturday)
Marc Adams School of Woodworking
“Build an 18th Century Workbench”
We build the Old-School Roubo workbench using massive timbers and the traditional joints – including the through-tenon and sliding dovetail joint that connects the base to the top. This bench will feature a leg vise as the face vise and an iron quick-release vise for the end vise.
May 5-6
Marc Adams School of Woodworking
“Handplanes and Their Uses with Thomas Lie-Nielsen”
I’ve assisted Thomas Lie-Nielsen for six years now in this popular class in which we cover all the bench and joinery planes. We show you how to set them up and use them to make boards flat and ready for finish, plus how to cut and refine joints.
June 10-17
Dictum Workshops, Metten, Germany
We are still working out exactly which days each class will occur during my eight days there.
“Build Your Own Precision Layout Tools” (one-day class)
Wooden layout tools are lighter in weight, easier to maintain and less expensive than metal layout tools. And they can be just as accurate as metal tools, once you understand how to build them and measure their accuracy.
In this one-day class, we will build the three most essential layout tools for hand-tool woodworking: a one-meter straightedge, winding sticks with inlay and an 18th-century style try square. In the process of building these three tools by hand, you will learn the following skills.
• How to dress boards with handplanes so the work is completely flat and true.
• How to design wooden layout tools so they resist seasonal expansion and contraction and stay true.
• How to test layout tools to ensure they are straight and square.
• How to correct layout tools using simple strokes with a handplane.
• How to add simple inlays of geometric shapes to make your layout tools easier to use and more attractive.
“Master Metal Handplanes and Western Saws” (two-day class)
To the uninitiated, metal handplanes seem too heavy, awkward and complex for fine woodworking. However, once you understand the proper way to sharpen, set them up and use them, you will see why these planes are most popular form of tool in North America and England. Compared to wooden-bodied planes, iron handplanes offer some advantages that you can exploit to do extremely fine work. On the first day of the class, students will learn to set up and use metallic planes so they can produce precision work.
One the second day of the class, we will explore Western saws, including the dovetail, carcase, tenon and handsaw. Students will learn proper sawing technique and how to cut extremely accurate joints using these tools.
“Build an 18th-century Workbench” (five-day class)
Early workbenches were simpler, heavier and better suited for people who built furniture with hand tools. After disappearing from workshops for more than 100 years, these ancient workbenches have become popular again as hand-tool woodworkers have discovered their advantages.
I’ll be leading a class at the Dictum workshops where each student will build his or her own workbench using hand tools (for the most part) and common materials. These benches feature only the best joinery: mortise-and-tenon joints for the base, plus a sliding dovetail and through-tenon joint for the top. The vises on the bench are simple, accurate and heavy: A leg vise on the front of the bench and an iron quick-release vise on the end. You will be able to customize your bench for right- or left-handed work, and you will be able to build your bench so it is the correct height for you and the length of your arms. A properly sized bench is much less tiring to use.
All the benches will be constructed so they can be assembled and disassembled using metal nuts and bolts so they will be easier to transport to your shop.
July 16-20
The Center for Furniture Craftsmanship, Rockport, Maine
“By Hammer and Hand, Build the Dovetailed Schoolbox”
In this fast-paced class we build a Moxon, double-screw vise for dovetailing and a shooting board that works very well as a bench hook. Then we use these two appliances to build the Schoolbox featured in the book “The Joiner and Cabinet Maker,” an 1839 book of fiction written for the young apprentice.
July 30-Aug. 3
Kelly Mehler School of Woodworking
“The Anarchist’s Tool Chest”
We build the full-size tool chest from the book “The Anarchist’s Tool Chest.” This chest features lots of dovetails (you will become an expert by the end of the week) and a very nice raised-panel lid. We will have time to build only the outside of the chest – the shell, mouldings, skirts and lids – but we will discuss how to divide up the interior for efficient work.
Sept. 4-8, 2012 (Tuesday to Saturday)
Marc Adams School of Woodworking
“By Hammer and Hand: The Dovetailed Schoolbox”
In this fast-paced class we build a Moxon, double-screw vise for dovetailing and a shooting board that works very well as a bench hook. Then we use these two appliances to built the Schoolbox featured in the book “The Joiner and Cabinet Maker,” an 1839 book of fiction written for the young apprentice.
— Christopher Schwarz
Black leather-bound ‘The Anarchist’s Tool Chest’
The run of black-leather copies of “The Anarchist’s Tool Chest” came today – about three weeks early.
As always, the work done by Ohio Book is fantastic. I get excited to see the books, and I’ve seen thousands of them pass through my hands.
If you are on the list for this book, or the waiting list, you will hear from us this week. We still have a couple customers from the first run we are working with (Hurricane Irene is a major distraction when buying books).
— Christopher Schwarz
Sometimes Temptation Comes from Above
Roy Underhill’s woodworking school is a magical place, where the Works Progress Administration still builds beautiful stone bridges and Care Bears poop gumdrops.
But upstairs from the school is a place of great temptation. Many a woodworker has gone up there with money in the bank and come down with armloads of pre-Industrial Revolution objects. Yes, on the floor above Roy’s The Woodwright’s School is Ed Lebetkin’s Antique Woodworking Tools store.
He’s open when Roy’s class is in session, and it is a wonderland of rust and beech and brass.
Aside from the hundreds of moulding planes, bench planes and joinery planes on the walls, Ed carries stuff that is both unusual and extraordinary. Need mutton tallow? Ed has it. Hinges, locks and the most beautiful holdfasts I’ve ever seen? Yes, damn you. Ed carries stuff made by blacksmith Peter Ross, who makes hardware and tools that are of astonishing beauty.
I hesitate to even mention those holdfasts here. Oh well. It’s done.
Ed also has wooden things made by local craftsmen. There are a couple tool chests for sale — including a new one from Bill Anderson based on Roy Underhill’s design. A side table and blanket chest from Jerome Bias. Oh, and tools.
Walls of saws, from the rusty but restorable to those that have been sharpened yesterday. Backsaws, panel saws, handsaws. There are planes of every era in every corner. This week there was an entire collection of Stanley transitional planes that were sharp and ready to go. Oh, and you could buy the chest they came with.
Metal planes? Check. Wooden planes? Check. Badger planes? He has a whole shelf of those.
And let’s talk moulding planes, wooden joinery planes and the like. Ed seems to specialize in these. Two shelves of beading planes in every size? Yup. Nosing planes? Yes, a whole shelf of nosing planes.
I bought a few things. Even with my recent spates of reduce, reduce, reduce, I found a few things that I really needed. A good ogee-profile moulder. A pair of snipes bills in PERFECT shape. And some stuff to experiment with.
So when you go to The Woodwright’s School, bring your tools, but also bring your wallet. Ed is open for business.
You can contact Ed Lebetkin at 919-967-1757 or at EdLebetkin@gmail.com.
— Christopher Schwarz
On the Matter of a Hand-tool Magazine
I’ve received this question about 20 times since June 15 – including from my wife – so I suppose I should deal with it head-on instead of simply demurring.
Is Lost Art Press going to start a hand-tool magazine, whether printed or digital?
The answer? Not right now, at least.
The primary reason I left Popular Woodworking Magazine was because I had so many projects piling up here at Lost Art Press that I estimated it would take me five years of working nights and weekends to tackle them. And that’s just too long a gestation period for books that I consider to be essential to the growth of handwork in the 21st century.
I’m not just talking about the Roubo translation. That itself is a mountain of a publishing project, but that’s only one mountain in an entire range of monumental peaks.
Why have I been quiet on these? Because we are still inking contracts. But you can expect that we will have at least three new products before the end of the year – a DVD I’ll announce next week and two or three books that are unlike anything in print today.
The DVD is from me (sorry!) and is part of “The Anarchist’s Tool Chest.” The other titles are from other authors, people who should have written books long ago.
As we get these projects underway, you’ll hear more about them here. Promise.
Now about that hand-tool magazine: I’ve been in media – and media alone – since 8th grade. I’ve worked in almost every department except advertising, which I would stink at, and circulation, which is a tricky business.
I’ve launched two start-ups in my career – The Kentucky Gazette newspaper and Woodworking Magazine. Both of which are now shuttered. Those failures taught me a lot about what it takes to make a magazine that makes money and makes me want to read it.
1. All your waking hours.
2. A lot of money. And a willingness to lose money for a few years as you pull the magazine onto its feet.
3. A willingness to deal with unethical distribution schemes.
4. A willingness to throw away about 60 to 70 percent of your newsstand copies that don’t sell.
5. A certain level of optimism mixed with stupidity — I call it stupidimism. This trait helps overcome Nos. 2-4.
At this point in my life, I want to spend all my hours producing a hand-tool canon of high-quality books — a foundation that I or others can build upon. I want to get us beyond sharpening, basic plane use and hand joinery.
What’s beyond that? An entire world.
So I guess I’m asking for some patience. After I get this corpus of work complete and the technology catches up with my ideas, I think I’ll be ready to dive into the world of periodicals again. Or there’s always that llama farm.
— Christopher Schwarz