As Scott is a father with a 10-year-old daughter, I was particularly interested and pleased to see how his young one reacted to the story.
I know that this book isn’t for every family. It possesses none of the Disney-era varnish that is comforting, bland and easily digested. And that is exactly why I love “Grandpa’s Workshop.”
Here’s a known fact about Christopher Schwarz: he enjoys beer. And here’s a little-known fact about me: I do not enjoy beer. (But I do love bourbon.)
With the 2012 Woodworking in America Midwest conference coming up in about two weeks, I suspect there might be a bar bill or three to cover. I suspect it will exceed my credit card limit. So, on eBay, I’ve up for auction two of the three copies of the long-sold-out 2008 hardcover “The Art of Joinery” I have in my woodworking library. (I’m hanging on to the last one … until I need money for a kidney transplant.) There is no reserve, and the starting bid on each is 99 cents.
Both of these books are signed by Christopher, and on one copy, Chris drew in a mustache on the frontispiece portrait of Joseph Moxon. I do not know why. There was probably beer involved.
All proceeds will be used to cover libations at Woodworking in America (and one bottle of ibuprofen). So if you win, you can be proud that your money is going to an excellent cause (Pappy van Winkle 15-year, and IPA).
The Society of American Period Furniture Makers (SAPFM) is looking for an editor to its prestigious annual publication, “American Period Furniture.”
The organization seeks an editor who is proficient in both the worlds of writing and woodworking. If you are selected for the job, you’ll be running all aspects of the magazine – both editorial and advertising – plus attending meetings of the organization.
“American Period Furniture” is an excellent magazine; I read the entire thing every year when it arrives in my mailbox. The journal, and the organization’s web site, are why I am a member of the organization. If you are interested in American furniture, it is worth joining – and this is from a person who isn’t a joiner (of organizations). Information on joining SAPFM is here.
If you are interested in applying for the position of editor, you can download the job posting here. Interested candidates can obtain additional information on the job or apply at: SAPFM@comcast.net.
I don’t have any vested interest in this process. I’m not on the search committee – I’m simply a member. And I don’t have any inside information on the position.
“After he moved to Indiana, and from there to Ohio, Chester (Cornett) again held his raw materials in a gentle embrace as he shaped them, once more using hand tools which were extensions of himself and with which he caressed his loved ones. He could express his feelings and emotions in the things he made, but he seldom displayed affection for people or for those things in the world that seemed beyond his control and inferior in importance to his immediate concerns. The more strongly he attempted to dominate the objects in his environment, the more enslaved he became by them. Freedom was withdrawal. The day would come, however, as he mistakenly thought it had on several occasions in the past, when he might step forth in the world of men bathed in the glory of his brilliant creations. With his wife gone again for the third and apparently the last time, Chester had only himself and his work, with nothing to divorce the two.”
— “Craftsman of the Cumberlands: Tradition & Creativity” by Michael Owen Jones (University of Kentucky Press)
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