The handful of you who witnessed the incident during the Midwest Woodworking wood sale already know that my block plane spontaneously disassembled while I was using it to check out some 8/4 incense cedar, with the various components flying out of my hand and scattering themselves across the concrete floor.
Surprisingly enough, I couldn’t find any signs of damage afterwards. There was a nick in the front adjusting knob, but that may have been there already. Anyway, once I got home I decided that it deserved the full spa treatment after an experience like that.
I disassembled it as far as I could, lightly went over the sole and sides with some 400-grit silicon carbide paper to remove any incipient rust, then cleaned everything with soap and water. After everything was good and dry, I sprayed the bare iron surfaces with Boeshield T-9.* Once that was dry, I wiped it all down with a cotton cloth to remove the excess.
Ready for reassembly
Then it was just a matter of putting all the pieces back together in the correct order, honing the blade, and verifying that I hadn’t screwed something up and it still worked. Speaking of honing, I’ve been experimenting with some freehand honing techniques recently, and while the jury is still out, one thing I’ve decided to permanently add to the regimen is a final stropping. I bought a couple of Genuine Horse Butt strops from Joel Moskowitz, and—as he advises—use the rough side of the leather with some micro-fine stropping compound.
The proof is in the shaving: sugar pine end grain
I suspect that the slight round-over produced by the stropping acts sort of like a micro-bevel, and helps toughen the edge. The net result is that the edge seems to last a bit longer between sharpenings.
–Steve Schafer
*I’ve also used TopCote (now apparently called GlideCote). Boeshield has gotten better reviews with regard to preventing rust; TopCote is less messy to use.
The streetcar stop at the entrance to Glen Echo Park in Glen Echo, Md., in 1939.
Friday evening, Christopher Schwarz, Linda Watts and I gathered around, drinks in hand, to discuss the “treatment” of Roy Underhill’s “Calvin Cobb, Radio Woodworker! A Novel with Measured Drawings.”
We looked at a passel of books that were published in the mid 1930s as inspiration for the font, header, footers page numbers, margins… everything that goes into making a book look appropriate for the content, and a joy to read and look at.
Then we ate what I think is our collective weight in fried chicken and mashed potatoes. (And thanks to Chris’ largesse, I enjoyed a snifter of Pappy Van Winkle’s 12 year – my bourbon of choice on the rare occasions I can find it.)
Linda is the designer on this project (and for many Lost Art Press books), and she has a lifetime of experience with woodworking titles. For almost a decade, Chris and I worked with her at Popular Woodworking Magazine. Before that, she designed Nick Engler’s “Workshop Companion” series of books, and was the founding designer for Hands On!, Shopsmith’s magazine. Plus, she reads a lot of novels. So Linda is the perfect person to work on “Calvin.”
Within a week or two, she’ll have ready a few “treatments” that we’ll share with Roy for his reaction and input, then she’ll massage the look until everyone involved says, “Yes – that’s it!” After that, it’s simply a matter of styling all the text and images, a few more editing passes, then off to the printer!
OK…maybe that’s a bit reductive, but we are now moving along apace – it won’t be long before “Calvin” is in your hands.
And when it’s off to the printer, I may indulge in a little treatment for myself…in the form of a bottle of 12-year Pappy’s.
For most people, the phrase “tropical hardwoods” conjures up a fuzzy image of some faraway jungle-like scene, in sort of the way that we understand the origin of the food in our supermarkets (hint: it does not come prepackaged). In reality, of course, the tropics are a complex and diverse network of environments, and any specific wood that we might use comes from a similarly specific habitat. I recently returned from a trip to Peru, where I was able to photograph some of these habitats (some of the photos are from earlier trips to other areas in the New World tropics).
What I write about here is New World-specific, but is analogous in a general way to the African and Australasian tropics as well. The primary distinction is that the Neotropics are dominated by two geophysical features not found in the Old World: the Andes and the Amazon basin.
The climate of any particular region in the Neotropics is largely governed by two factors, rainfall and elevation (which in turn dictates temperatures). Rainfall generally increases from west to east, with western zones being somewhat to very dry, and with a distinct wet/dry season, and eastern zones being far more humid (and where “dry season” means “doesn’t necessarily rain every single day”). The extreme topography of the Andes creates numerous small-scale “mesohabitats,” and many species of flora and fauna are thus restricted to surprisingly small ranges. An example of this is the valley of the Río Marañon, which in some places is over twice as deep as the Grand Canyon. The valley is so deep, and the surrounding mountains create such a large rain-shadow effect, that the climate on the east slope of the valley is dramatically different from that on the west slope, only a few miles away.
Puna grassland at ca. 4600m (15,000ft) – the peaks in the background are nearly 6000m (19,000ft); near Abra Ticlio, Río Rimac drainage, Lima, Peru
Starting from the top: At the very highest elevations, above the snow line at approximately 5000m (16,000ft), there is no vegetation whatsoever. Immediately below that is the puna (dry western slopes) and páramo (wet eastern slopes). The air is always cool here, and it frequently dips below freezing at night. The temperature extremes and the lack of oxygen mean that the primary vegetation is bunchgrasses and small shrubs; the only trees are various species of Polylepis (there is no English name that I’m aware of; the most common Spanish name is queñoa, which looks like it is probably derived from a Quechua word).
Polylepis sp., probably P. incana or P. subsericans, at ca. 3400m (11,000ft); Río Rimac drainage, Lima, Peru
Polylepis is heavily exploited for firewood and for small items like tool handles. There are reports that it has been used in furniture making, but I haven’t seen any examples. I would guess from the looks of the trees that the wood is highly twisted and contorted. Overall, the puna habitat is surprisingly similar to that of the coastal chaparral in California, with many of the same kinds of plants: bunchgrasses, Baccharis and Lupinus shrubs, but with coast live oak (Quercus agrifolia) taking the place of Polylepis there.
Dry puna at 3600m (12,000ft) – you can see the beginnings of the cloud forest forming in the protected canyons; near Abra Calla Calla, Río Marañon drainage, Cajamarca, Peru
Below about 3700m (12,000ft), we start seeing signs of real forest. This is the beginning of the cloud forest that you’ve probably heard of. Even on the “dry” slopes the cloud forest is actually wet, but from fog more than from precipitation. Trees in the cloud forest are heavily festooned with bromeliads and lichens. The average tree is relatively small, but there are occasionally some giants. While the cloud forests are heavily exploited locally, very little of the wood is exported, and the local names are ones you’ve never heard of. I think this is because the extremely steep terrain combined with the relative sparseness of valuable trees makes any kind of commercial harvest impractical.
Cloud forest at 2400m (8,000ft) – everything is covered by epiphytes (even people, if they stand still too long); Abra Patricia reserve, Río Utcubamba drainage, Amazonas, PeruCloud forest microcosm at Abra Patricia – the orchid blossoms are about 10mm (3/8″) across; Río Utcubamba drainage, Amazonas, Peru
Woods of interest that come from the lower elevations of the cloud forests include Andean walnut (Juglans neotropica), an endangered species that is protected but still at risk because its wood is nearly indistinguishable from that of the more common Peruvian walnut (J. boliviana), and Spanish-cedar (Cedrela odorata). Some species of ipê (Hadroanthus sp., especially H. serratifolius, yellow ipê or lapacho) are also found here, although they are typically found in drier habitats.
Andean walnut (Juglans neotropica) growing along the Río Utcubamba near Leymebamba, about 45cm (18″) DBH; Río Utcubamba drainage, Amazonas, Peru
As we move further downslope into the foothill region (below about 1500m/5000ft), we start to see some dramatic differences between the dry and wet habitats. The dry zone becomes thorn forest; everything is covered with thorns to protect against browsing by herbivores. Thorn forest is very reminiscent of the Lower Rio Grande Valley in Texas. Although the trees are small, this is where some of the most valuable highly-figured woods come from, including cocobolo (Dalbergia retusa), ziricote (Cordia dodecandra) and bocote (several Cordia species).
Dry thorn forest at ca. 1200m (4,000ft); near Jaen, Río Marañon drainage, Cajamarca, PeruFoothill forest at ca. 700m (2,300ft); Braulio Carillo National Park, Río Sarapiquí drainage, Heredia, Costa Rica
The wetter slopes become dominated by numerous species of fig (Ficus sp.). Unfortunately from a woodworking point of view, the wood of most figs is soft and non-durable. To top it off, the latex exuded by the bark (a defense against insects) quite literally gums up the works when it is heated by the friction of cutting. You are also likely to see balsa (Ochroma pyramidale) here, especially as a fast-growing pioneer tree in disturbed areas.
This is also where that most important of drug plants, Coffea arabica, is cultivated.
Latex exuding from a fresh wound in a fig branch (I wonder how that wound got there?); semi-dry foothill forest near Moyobamba, Río Mayo drainage, San Martin, Peru
In the foothills, we begin to see many of the woods that are available commercially in quantity, although they don’t grow as large here as they do in the lowlands. The lowlands (below about 500m/1500ft) are broadly divided into terra firme (forest that normally does not flood) and várzea (forest that is flooded for a significant portion of the year). Várzea forest is generally not a source of commercial timber, but Spanish-cedar does grow there, and it is also home to that second-most-important of drug plants, Theobroma cacao. Terra firme forest is where we find the true forest giants, trees like big-leaf mahogany (Swietenia macrophylla), cumaru (Dipteryx odorata) and purpleheart (Peltogyne sp.).
Terra firme forest; near Pantiacolla lodge, Río Madre de Dios drainage, Madre de Dios, Peru
Two other Neotropic habitats that don’t fall into the high-to-low elevational sequence are worthy of mention: First up is the Pantanal, a unique wetland habitat in Brazil. Flooded for much of the year, it is mostly grassland, with trees growing on small “islands,” much like the mahogany hammocks of the Florida Everglades. Here and in the adjoining cerrado (a mixed grassland/shrubland savannah) is where most of the species of Hadroanthus commercially harvested and sold as ipê are found. Second, the Atlantic coastal forest of Brazil is one of the most seriously endangered of tropical habitats, and is where two of the rarest woods, pernambuco (Caesalpinia echinata) and Brazilian rosewood (Dalbergia nigra) occur.
Pink ipê (Handroanthus impetiginosus); Passo da Ema lodge, Pantanal, Matto Grosso, BrazilDeforestation in action – five years ago, this was all intact cloud forest; hillside near Laguna Pomacocha, Río Utcubamba drainage, Amazonas, Peru
Is a sustainable tropical forestry possible? In principle, yes. But there are serious obstacles. As many suppliers of tropical hardwoods point out, agriculture does far more damage to tropical forests than does logging. While this is generally true, it’s also misleading. Logging, along with other non-agricultural activities such as petroleum mining, requires roads. And any road in the tropics becomes, in effect, an invitation to would-be poachers and others to exploit the land. Without controls in place to protect lands after logging has taken place, they quickly becomes yet more cattle pasture or palm oil plantations.
Marvellous Spatuletail (Loddigesia mirabilis) with Sparkling Violetear (Colibri coruscans) in the background; Huembo reserve, Río Utcubamba drainage, Amazonas, Peru
ADDENDUM: As you have probably guessed, I didn’t travel to Peru just to take photos of trees. The primary purpose of our trips to the tropics (22 at last count) is to see birds. The same geological forces that lead to enormous diversity of flora do the same for fauna, and many species of birds are limited to relatively tiny ranges. The Marvellous Spatuletail shown here is restricted to the eastern slope of the Río Utcubamba watershed, 2100-2900m (7000-9000ft) elevation. The theoretical range is about 600 square miles, but for whatever reason the birds occupy only a fraction of that; the total population is believed to be fewer than 1000 individuals.
– Steve Schafer
EDIT: Finally figured out how to enable comments… –SS
In a prominent place in a cozy Long Island home are two huge volumes. These interesting books contain a record of that second honeymoon which so few of us attain in this world, the Golden Wedding. The record is a careful description of a trip to the old home in England of Allen Moore and his wife in celebration of their fiftieth wedding anniversary. The books are illustrated with photos and letters, and on one page is a document which Mr. Moore—for half a century a loyal American—refers to in this way:
“I regard this document, which I have carefully preserved for 60 years, as my ‘Title Deed of Nobility.’ Some men inherit nobility, some get their titles by robbing other people, but my title came through hard and honest work as testified by Mr. Miller in his endorsement on the back of the indenture.” (more…)
The customers of a country cooper caused him a vast deal of vexation by their saving habits and persistence in getting all their old tubs and casks repaired, and buying but little new work.
“I stood it however,” said he, “until one day old Sam Crabtree brought in an old ‘bung-hole’ to which he said he wanted a new barrel made. Then I quit the business in disgust!”