Take a Photo of Your Shop

We’re putting the finishing touches on “The Difference Makers,” an inspiring book by Marc Adams, founder and owner of the largest woodworking school in North America. In this 11″ x 11″ book (which will likely be 250 pages) Marc profiles 30 furniture makers, artists and toolmakers he’s worked with at his school. Each profile includes a biography of the person, Marc’s personal history with the person and lots of drool-worthy photos of each maker’s work.

The photo above is not drool-worthy. It’s a photo, taken at 1 a.m., of my desk. If I had known I was going to post that picture I would have taken it in daylight. I would have fixed the crooked blinds, removed those pens out of their packaging (the red pens I bought at the same time were long-ago broken into), tucked away the big gold earrings that had grown heavy on my head, tossed my son’s Nerf bullet off my desk and at least turned over the Post-It note pad with Girl Scout cookie orders scribbled on it, the red ink bleeding because I used the same pad as a second coaster a couple hours prior.

But then I looked at the piles of papers – Marc’s book with Nancy Hiller’s copy edits – and I fell in love with the photo. That pile of papers represents more than three years of Marc’s life – hours spent researching, interviewing, writing, gathering, organizing, editing. That pile of papers represents hundreds of photos sifted through and chosen, checked for size (and in a quarter of the cases higher-resolution images requested, some re-taken), saved as CMYK and .tiff, each one cropped, edited and clipped. That pile of papers represents Chris’s edits and my edits and hundreds of emails sent and received with fact checks. That pile of papers represents hours of design work by Linda Watts, who turned all of this work into a beautiful book, one well worth placing on a coffee table to be thumbed through, often. That messy desk photo is the truth behind all that work and I imagine, 20 years from now, I’ll be thankful to come across it and remember.

Writing “The Difference Makers” was often Marc’s in-his-spare-time work. Here he teaches a class at MASW in 2018. I love the messy benches, the fact that no one’s posed, the guy filming, the chalkboard that had just been erased – this is the kind of photo that gets to the heart of one side of Marc.

And unlike any of our other titles, each chapter in “The Difference Makers” represents the life work of each person profiled. That’s a lot of work. It’s a lot of weight. I’ve only met Marc in person a couple times, but I’ve known him for years. I imagine he’s someone who excels under pressure. I mean, he did this – he wrote this. Not many folk would attempt this. And he’s made it all seem so simple. The chapters are written as if you were having a conversation with Marc about the profiled person over coffee. And the part when he leans in a bit closer, to tell you a funny or surprising story about the maker? It’s in there. Over and over. It’s the insider’s view, a sneak peak into the life of – it’s brilliant.

Maybe that’s why, when clicking through hundreds of photos for this book, I found myself lingering on the makers’ shop photos. We didn’t include many of them (if any) in the book – it’s not what the book is about. But after reading accolade after accolade, and zooming in on all those jaw-dropping beautiful pieces of work, I found myself wanting to know the truth behind the work. And the few shop photos we received felt like paths to the hearts of these chapters.

John Owen at his workplace, Indiana Bell, in the late 1930s or early 1940s. Photo by Tom Heifel.

I’ve always been drawn to workplace photography. We spend a huge percentage of our lives at work and so rarely is it documented. Same with hobbies. It’s why I loved writing the “Great Woodshops” column at Popular Woodworking Magazine. And it’s why I spent so long writing for my small city’s blog. My neighbors’ basements and garages held the most wonderful workplaces. Examples include a studio for painting, one for wood turning, another for music recording and still another for casting and painting pewter figurines. Hours of time are spent in these environments and even if you never make it into a book called “The Difference Makers” or you “just” end up written about in a small city blog, I believe those places should be documented and remembered. I recently came across the photo above while helping my mother-in-law go through things – it’s her father, John Owen, at work in the late 1930s or early 1940s at Indiana Bell. All I’ve ever seen are pictures of him with friends and family. Never before had I seen a picture of a space in which he spent so much time. I love it.

My father-in-law took this picture without me knowing, in 2011. I’m grateful for it now.

The same could be said for a parent in a kitchen – all those meals cooked for people they love. Or someone working in a well-tended garden or tinkering with an old car in a garage. A child doing homework. A teenager raking leaves. A young adult mopping a floor, trying to make ends meet. The work that we do, whether for pay, in order to survive or for pleasure, makes a difference to someone – maybe to just that person alone, maybe to a baby who will never remember, maybe to a small group trying to make a difference, maybe to hundreds of thousands of visitors to a museum. We’re all difference makers, to a degree. And I think the space we make those differences in should be documented and remembered.

Of course, this doesn’t mean tidying up, because that’s not truthful. That doesn’t get to the heart of the matter. If your shop is always immaculate, so be it. But let the coffee cup stay. And if you consider your shop to be an embarrassment, so be it. Leave it. And someday soon, after you finally finish that project on which you’ve worked so hard, or you cut that near-perfect dovetail, or the glue-up works out despite the worry, take a photo. Not a fake one, for Instagram. But a real one. For you. One that gets forgotten about until someone finds it, and lingers.

And know that in shops a lot like yours work comes out, daily. Maybe it’s a simple table a family gathers around every night or maybe it’s a piece of work so beautiful some editor somewhere, well past midnight, is lingering on an image of it when she should be editing.

Production update: All the makers have received their profiles for review, and I am making their edits now. (Fun fact: The personal stories from Marc in each chapter will be a surprise for each of them – we have kept them hidden until the book is released.) Marc will do his final review in the next two weeks, before MASW classes ramp up again in April. We don’t have a printer date yet, or a release date, but as soon as we do we’ll let you know.

— Kara Gebhart Uhl

This entry was posted in The Difference Makers, Uncategorized. Bookmark the permalink.

16 Responses to Take a Photo of Your Shop

  1. Kara – Thank you for your post. It is thoughtful and it made me laugh. It also made me start digging into the 1940s-1950s photos of my Grandfather and Dad at our family-owned business… I can’t wait until Marc’s book is published!

  2. David Ryle says:

    Alright Kara, ive read your editorials before, your one hell of a writer, but his one …got to be one of the best.

  3. boclocks says:

    Yes. Just… Yes!

  4. Bill Edwards says:

    That was a beautiful read….. Thank you.

  5. Neil D Mosey says:

    Great/honest writing and reading. Also, your opening paragraphs set my mind into “scavenger hunt” mode………for the life of me, I can’t find the nerf bullet.

  6. Greg Jones says:

    What a wonderful read to start my Sunday morning! Thanks Kara.

  7. Jim Blank says:

    Very nice Kara. It reminds me of something like this in my own life. I’m a fifth generation carpenter.
    About 10 years ago, my Dad’s 90 year old sister gave me a picture of her Dad(my grand father
    who died before I was born), his brother and others at a barn raising in the 30’s. His brother
    was straddling the old boring machine used for drilling the holes squarely through the barn
    beams. Like a hand operated portable drill press. A few years later, my cousins were cleaning
    out the attic of their garage, and what did they find: the boring machine inside my Grandpa’s
    wooden toolbox. I was very grateful that they gave them to me and now both items are proudly
    displayed in my man cave in the basement. Even though I never knew those guys, I feel a bond
    that can’t be broken. I look forward to reading your book.

  8. Mark Thomas says:

    We are so proud of the work that you all produce from your workspaces. I normlay use Interlibrary Loans to read woodworking books as aposed to buying everyone I want to read. Some books are great once, but are not worth a second read or keeping around for refrence. However, I have stoped doing that with Lost Art Press books. A 1/4 way through them, I order a copy knowing the value of a second read, want to keep a copy on the shelf for furture use, and support the people who deliver great books/content! I’m not really a sports fan, but it is like you guys are hitting a homerun almost everytime you step up to bat.

  9. Doug Cahail says:

    Thanks for being real.

  10. Farmer Greg says:

    “…take a photo. Not a fake one, for Instagram. But a real one.” Love it. Thanks for saying that.

  11. David Radley says:

    I come from a family of workers. Just simple factory workers who immigrated and worked 30- 50 years in the local factories to provide for a simple, wonderful family . My Gramp , a machinist for 50 years who communicated with his coworkers with pad and pencil because of numerous language barriers . The numbers on a page were usually understood by all. I so wish I had a picture of his workstation. It would be a picture for me to linger over. Thank you for your piece. This will be my kind of book.

  12. Gene ORourke says:

    Amen.

  13. Well written, Kara. And great idea. I’ll snap a photo and post it this evening.

  14. Kara, I just returned the copy for my chapter with some very minor edits. It was well written and very organized. I must say it is an honor to be included along with some very talented teachers and woodworkers. However, I take issue with your statement that Marc has “spare-time.” My experience with Marc over the years is that he never sleeps and never stands in one spot for more than 10 seconds. He has no “spare-time”!!!

  15. kerry Doyle says:

    That 2011 image of you, the laundry, and small ones, gains soul with each passing year because it;s the honest naked truth of how we live our lives. The workshop photos you solicit are the same way: snapshots of how we are. Were you to see my shop it would exhibit clutter shoved aside just enough to complete the task at hand. I can work in clean, but why not have mant things close at hand?

If you can't spot the wiener in the comments, it might be you.

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