Lost Art Press

Category: Personal Favorites

Patience, Efficiency, Perfection

Posted on by Lost Art Press

I’m a fairly good instructor, but there are some things I just cannot teach.

When I work with a student who keeps saying: “That’s good enough” as they put a project together, I despair. When they say: “This is just a classroom experience,” I freak out (inside).

The way I look at woodworking is that we get only one chance to get things right. Not close enough. Right. With most things in life I’m an “I’m OK, you’re OK” kind of person, but not with woodworking. Either it’s sharp or it’s dull. Either the joint is tight or it’s trash. Either the toolmarks are gone or they aren’t.

How can you teach that? I point out problems, gaps, toolmarks, but either they can see it or they cannot at that point in their lives. (Be assured that I think that sometimes people have to be ready to receive the message. And people change.)

So today, my daughter Katy and I started building a version of the Packing Box from “The Joiner and Cabinet Maker.” This was Katy’s idea. She volunteered to build a box for her third-grade class that would hold the class’s craft supplies. And she picked out the Packing Box as the ideal form (with hinges, a hasp and chains).

So today we trekked to my office to pick over the pine in the racks and get a good start.

I decided to introduce her to the machines today, including the jointer and planer. She wasn’t going to operate them, but she was going to understand how they worked. So we picked our wood, cut it to rough length and started milling it on the machines. I pushed. She caught.

Immediately chips started flying in my face. The dust collector was clogged.

So we stopped what we were doing and flushed the sucker out. I took the 55-gallon bin out to the dumpster. When I returned, Katy had swept up the entire area and deposited things in the garbage. It was at that moment I knew this was going to be a good day.

We milled all her stock, and she would settle for nothing less than correct. She adjusted the rip fence on the table saw to exactly 5″ (I did the ripping). When we milled the joints for the top and bottom panel, she could spy every gap and send me back to the jointer to fix the error.

When the panels went together, she adjusted all four boards in the glue-up. They were as flush as a veteran cabinetmaker’s. I didn’t even have to tell her what to do. She pushed the boards around until they were dead flush.

She pre-drilled, glued and nailed the entire carcase together by herself. I was only there to hold the boards. She became frustrated when one of the 16 cut nails split the end grain a bit.

“We have to start over,” she said.

“No, I’ll show you how to fix it,” I replied.

She wanted it done right. She didn’t want to cut corners. She wanted to do it herself. I can’t teach that. After four hours of hard work (she was drifting off to sleep over dinner), she asked: “Can we attach the bottom tonight?” I told her it would be better to wait 24 hours for the glue to cure. She replied: “I can clean the shop.”

I’m sorry to gloat here about my daughter, but this day was the best Christmas present I got.

— Christopher Schwarz

'The Joiner and Cabinet Maker' Hand-bound in Leather

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“A book on cheap paper does not convince. It is not prized, it is like a wheezy doctor with pigtail tobacco breath, who needs a manicure.”

— Elbert Hubbard

One of my prized possessions does nothing but make me angry.

It’s an autographed copy of Kurt Vonnegut’s “Deadeye Dick” that’s signed: “And for Chris. Kurt Vonnegut.” What ticks me off is that the paperback itself is disintegrating. The binding is falling apart. The pages are yellowing, fragile and feel like they are disappearing into the air.

I’m almost afraid to pick it up and read it. And it’s one of my favorite books.

When we publish a book here at Lost Art Press, we want to make sure it outlives us. We use acid-free paper; we get the book’s signatures sewn and glued. We use thick boards covered in cloth.

And now we’ve gone over the top.

When we sent “The Joiner and Cabinet Maker” to the printer in Pennsylvania, we asked to keep any leftover copies from the print run without the hardback boards. We got a few boxes of these spineless book guts, and they have been sitting in my basement since November.

Recently I took some to the Ohio Book Store in downtown Cincinnati, which has a binding division that specializes in restoration work and creating fine volumes for libraries and private collectors. The work of the three restoration specialists there was superb, so I asked them to finish these books like a mid-19th-century volume.

The result is beautiful.

What you see here in the photos is aged calfskin on heavy boards with marbled endsheets. The spine of the book is shaped to give it a nice curve, much like high-quality vintage books. The cover and spine are hand lettered in gold.

It is a delight, both to look at and read in this form.

We’ve asked Ohio Book to bind 26 of these books like this, which we’ll offer for sale here and on the Tools for Working Wood web site. These books will be signed by me and Joel Moskowitz (the other modern author of the book). They will include the DVD, which will be glued into a sleeve at the back of the book. And each book will be lettered (“A” through “Z”) and marked with the year, 2009.

The book should be available in a couple weeks, so save your pennies. Price: $165.

Believe me, this isn’t about making money. The profit margin on this kind of hand work is pretty slim. But because we thought that offering a vintage binding on this important book would be a cool thing for our libraries, we thought you might feel the same way.

So if “Joiner and Cabinet Maker” ever does become one of your favorite things (and it’s fast becoming one of mine) you can be sure that it will be around long enough to also become a favorite thing of your grandchildren.

— Christopher Schwarz

“Hand-covered books break up friendships. You loan a hand-covered book to a friend and when he doesn’t return it you get mad at him. It makes you mean and petty. But twenty-five cent books are different.”

— John Steinbeck

'The Joiner and Cabinet Maker' Now Shipping

Posted on by Lost Art Press

The first thing I need to do is apologize to almost everyone reading these words.

Since January 2009 (well, in truth some time before then) I began work on “The Joiner and Cabinet Maker” and have been neglecting almost every other aspect of my life to get it done to the best of my ability.

So here goes:

To the readers of this blog, Popular Woodworking and Woodworking Magazine, I’m sorry I’ve been such a slacker about answering e-mails and phone calls. In my mind, anyone who takes the trouble to write deserves the same effort at a response. Yeah, I get a ton of e-mail, but I don’t mind. What I do mind is when I have to rush through my mail and give answers that are superficial or that pass the buck to someone else. I’ve not been the editor that you deserve since January, I’m afraid.

To my employer and co-workers, I’m sorry I’ve been bleary-eyed and (a bit more) dim-witted and wrung-out. This book has commanded a lot of mental and physical energy. Staying focused on a single task for months on end takes its toll. And building stuff entirely by hand (with a fierce deadline) has worn me out. With this book behind me, I know I’ll be easier to work with.

And to my family, I’m sorry I’ve been chained to my workbench and laptop since the day I embarked on this book. I’ve missed too many events at school, too much homework and too many of the day-to-day moments of growing up. Even as I write this I’m missing out on helping out on Spanish homework (even though I only know “burrito,” burro” and “donde esta de casa de pepe”).

But now, it’s all over. The book “The Joiner and Cabinet Maker” is done and is on its way to customers. Is it perfect? No. I can think of at least six things I’d change if I could turn the clock back. Am I happy with the book? Well, you’re a woodworker. You know how these things are. It takes some time to figure out how much you like a project you’ve built. You have to live with it for awhile.

Is it the best I could do? To that I can say, yes. Despite its flaws (which I’ll be writing about in an honest fashion in the weeks to come), I think it’s worth reading if you are interested in pre-industrial history, hand-tool woodworking or traditional casework.

Everyone who worked on this book did their best, from Joel Moskowitz, who spent his life finding the original “Joiner and Cabinet Maker” book and researching the time period. To Megan Fitzpatrick, who edited every word we wrote. To Tim Corbett, who designed the cover. To John and Sharon Hoffman, who right now are mailing out hundreds of copies to customers. And to my family, who lets me build and type and read and travel to my heart’s content.

And to all of you who have ordered the book sight-unseen, thanks. And to those of you who are bound to read the book in the coming months, I hope “The Joiner and Cabinet Maker” has the profound same effect on you as it did on me.

— Christopher Schwarz

P.S. I almost forgot the reason for this post. If you’d like to order a signed copy of “The Joiner and Cabinet Maker,” click here. (I’d starve if my career were in marketing.)

Countdown to 'The Joiner and Cabinet Maker'

Posted on by Lost Art Press

Our printer has informed us that our new book “The Joiner and Cabinet Maker” will ship to us on Oct. 29 or 30, which means we should start shipping all the pre-orders to customers next week.

If you filled out a pre-order form, you will receive an e-mail from us next week where we will get your credit card information and ask if you want to also receive the companion DVD. You can read more about the DVD here.

We’ll be selling this DVD separate from the book for $10. Or you can buy the book bundled with the DVD for $34. And you’ll be able to buy the book alone for $29.

The other fun news is that the first 900 orders for “The Joiner and Cabinet Maker” will also receive a free temporary tattoo, shown on one of my daughter’s arms above. (I would show the tattoo that’s on my arm, but it’s a bit too furry for a family-friendly blog.) The tattoos are 1-1/4″ wide and 2-1/4″ tall. They feature the dividers shown in Joseph Moxon’s “The Art of Joinery.”

And thanks to all of you who have pre-ordered our new book. I think you’re going to enjoy the book as much as we have.

— Christopher Schwarz

Pre-order ‘The Joiner and Cabinet Maker’ Book Now. Pay Later.

Posted on by Lost Art Press

Now you can pre-order a copy of “The Joiner and Cabinet Maker” signed by me. By pre-ordering the book today for $29 (plus $5 shipping in the United States), you’ll get one of the first copies of this landmark new woodworking book. But, in true Lost Art Press fashion, you will not be charged (or even asked for a credit card number) until the book is available and ready to ship.

In other words, you cannot lose.

Click here to visit our pre-order form. Click below to download an excerpt of the original text (it’s different than what is posted at Tools for Working Wood).

Preview_Joiner_&_Cabinet_Maker_LAP.pdf (998.55 KB)

Or read on….

Right now we’re making the final arrangements with the printer, but the book is complete and we’re just waiting for some time on a printing press. I’m trying to get back to my normal life, and I’m sure that Joel Moskowitz at Tools for Working Wood is doing the same thing.

If we were dumb enough to conduct a true tally of hours Joel and I spent on this book, plus the money for the wood, hardware, finish, a few critical woodworking tools and scanning services, then our wives would surely ask us to take up a more-profitable sideline, such as selling our plasma.

But believe me, we’re not complaining. This book was tremendous fun for us to piece together, from the very early stages of researching the original text of “The Joiner and Cabinet Maker” to the eight full months of poring over old texts, building and writing that followed. The real reason we published this little book is because we were both so excited when we first read the text of “The Joiner and Cabinet Maker” that we wanted to share it with other woodworkers who were as enthusiastic about history and hand-tool woodworking as we are. You are the people who sustain us in our day jobs. You buy tools from Joel at Tools for Working Wood and Gramercy Tools. You buy magazines and books from me at Popular Woodworking, Woodworking Magazine and Lost Art Press.

And after many years of working with our customers, we were certain that you would find the contents of “The Joiner and Cabinet Maker” as thrilling as a beach novel.

Within this small and obscure 1839 book is the direct evidence for how many day-to-day tasks were executed in an 18th- and early 19th-century English workshop. Told through the tale of a fictional lad named Thomas, it is a remarkable account of many aspects of the apprentice system and how basic skills were conveyed. Here is a sample:

• Dovetailing: See exactly how the joints were laid out, cut and assembled, including 19th-century advice on fitting the joint that should prove helpful to 21st-century woodworkers.

• The basic toolkit: By modern standard, the projects in “The Joiner and Cabinet Maker” were built with surprisingly few tools. Discover what the core kit is and how to stretch your tools to accomplish more.

• Case construction and vernacular furniture forms. The three projects presented in “The Joiner and Cabinet Maker” aren’t high-style urban pieces. Instead, they are simpler forms with less ornamentation that look surprisingly contemporary. However, the three projects in this book form the backbone of cutting traditional case joinery by hand and are the foundation for every form of furniture, from Shaker to Rococo.

• Tool-buying decisions. Find out how 19th-century craftsmen purchased tools. Did they scrape by and improvise, did they purchase the most expensive tools available or did they perhaps choose a third path?

Is “The Joiner and Cabinet Maker” the Rosetta Stone of early woodworking? Hardly. There still are many unanswered questions about how some basic and many advanced operations were performed. The book doesn’t even mention moulding planes or carving, for example.

But this book is an excellent place to begin – both for hand-tool woodworkers who want to commence their journey and for experienced woodworkers who want a sense of how their ancestors were trained to work so productively. Our edition of this book begins with a chapter written by Joel that provides a snapshot of England and the state of woodworking in the 19th century. That’s followed by the original text, which we have reset in a larger font but left otherwise unaltered. Joel has provided footnotes throughout the original text that will help explain the significance of what you are reading. Next are chapters that I wrote that detail how to build the three projects. He also compares the techniques in the book with hand-tool techniques that have either developed since then or simply aren’t discussed in “The Joiner and Cabinet Maker.”

The last section of the book is quite useful. There you will find some conclusions, a chapter on how the different editions of the original “The Joiner and Cabinet Maker” were printed and bound, plus a list of other useful books on history and hand-tool woodworking.

We encourage you to read this entire book and attempt to build the three projects using hand tools. That is a tall order, we know. However, building the Packing Box, the Schoolbox and the Chest of Drawers will unlock the basic skills needed for all hand-tool woodworking, and it will offer insights into how traditional, high-quality casework was really built.

Click here to pre-order the book.

Click below to download the Lost Art Press excerpt.

Preview_Joiner_&_Cabinet_Maker_LAP.pdf (998.55 KB)

— Christopher Schwarz