
As the Industrial Revolution mechanized the jobs of the joiner – building doors and windows by hand – one anonymous joiner watched the traditional skills disappear and decided to do something about it.
That joiner wrote two short illustrated booklets that explained how to build doors and windows by hand. And what was most unusual about the booklets is that they focused on the basics of construction, from layout to joinery to construction – for both doors and windows.
Plenty of books exist on building windows and doors, but most of them assume you have had a seven-year apprenticeship and don’t need to know the basic skills of the house joiner. Or the doors and windows these books describe are impossibly complex or ornamental.
“Doormaking and Window-Making” starts you off at the beginning, with simple tools and simple assemblies; then it moves you step-by-step into the more complex doors and windows.
Every step in the layout and construction process is shown with handmade line drawings and clear text. The booklets are written from a voice of authority – someone who has clearly done this for a long time.
During the last 100 years, most of these booklets disappeared. Soft-cover and stapled booklets don’t survive as well as books. And so we were thrilled when we were approached by joiner Richard Arnold in England, who presented us with a copy of each booklet to scan and reproduce for a book.
Below is the introduction that Richard Arnold wrote for us. It is a family story that comes full circle and brings these booklets with it.
The story of how this book has come to be republished is a tale that goes back more than 100 years.
At the end of World War I, one of the lucky survivors of the trenches came home to England and started a new career as a carpenter and joiner. He was my grandfather, and his name was Cecil Incles.
Sometime during his apprenticeship, he managed to purchase a tool chest – complete with tools – that had belonged to a joiner by the name of G. Shelton. To date I have not been able to find any clues as to who Mr. Shelton was, but by dating the tools in his chest, it is reasonably safe to assume he assembled them sometime around the end of the 19th century. Judging by the types of tools in his chest it is obvious that he was a joiner, and amongst other things, he would have spent a lot of his time making doors and windows.
Lying in the bottom of the chest were two well-worn little booklets on door and window-making. They date from around 1910, so I think it is safe to assume they were first purchased by Mr. Shelton. I’m sure he found them helpful, as I presume my grandfather did after him.
On completion of his apprenticeship, my grandfather moved back to his birthplace and started work for a small building firm in a nearby market town. For the next 50 years, he worked as a joiner for the same company right up to his retirement. After his death in 1976, my father decided to hang on to my grandfather’s old tool chest, along with its contents, a decision that I am forever grateful for.
Two years after my grandfather’s death, I left school at age 16 with no clear idea of what I was going to do with my life. As luck would have it, the old building firm that my grandfather had worked for was looking for an apprentice to train in its joiners’ shop. So with hardly any woodworking experience at all, I found myself working under the watchful eye of “old Arthur.” Coincidently, Arthur had been one of my grandfather’s apprentices. My father had no great interest in woodwork, so he was happy to pass the tool chest and its contents to myself to use in my new career.

It is no exaggeration to say that this tool chest, and more importantly its contents, changed my life. Most of the tools in the chest were of no use in a modern working environment, but I became fascinated as to what they had been used for and how they were used. This led to a lifelong passion for anything to do with the history of woodworking, and the tools and techniques that surround the subject.
I soon discovered the two little booklets in the bottom of the chest, and I was surprised as to how relevant the information within them was to my everyday work. In time, they became my main point of reference whenever I’m working on doors or windows.
In the age where doors and windows were made by hand, the apprentice learned the basics under the watchful eye of his master. No one expected to have to record these skills; they were merely the basics, passed down from one generation to the next. But with the onset of the machine age and mass production, a lot of these techniques were soon lost.
The anonymous author of these booklets must have had the foresight to see this coming, and we should be forever grateful to him for recording his obvious years of experience making doors and windows as a joiner.
For years, I have recommended these wonderful booklets to fellow craftsmen, but sadly I could offer them no hope of finding copies for themselves because they rarely, if ever, came onto the open market. I would like to applaud Lost Art Press for making them available once again to everyone with an interest in keeping these traditional skills alive.
Richard Arnold
November 2013
Northamptonshire, England
Will the hardcover book be available again in the future? Thanks.
It will be back in stock in a couple weeks.
Great book, I got the PDF.
This prompted me to open my copy back up. There are definitely a few places where I struggle to visualize what the author meant likely due to the intended audience and period (of which I’m neither). Specifically page 42, last paragraph of the page:
“ The only novelty consists in the method of fitting the glass or lights without stopping the grooves, these being ploughed through as though for ordinary panels.
This is done by fitting strips in the grooves, as Figs. 67 and 68, with the rebate side toward the inside of the door, the edge of the strip coming level with the inside of the bolection.”
Huh? The pictures don’t provide any clarity. Can anyone help a dumb dumb like me out?
Well… I’ll try. Remember the definition of a bolection molding – this is a molding that stands proud of the surface it is applied to – in this case, the panel or glazing (reference Figure 63). The vertical section in Fig. 66 shows the lower panels held in a plowed groove in the frame and a bolection molding on the inside to trim out the panels. The upper panels are glazed and the author asks us to consider a rabbeted strip to take the place of the panel – it would have the same thickness as the panel (and panel grooves); the net width would be the depth of the grooves and the show dimension of the molding. the rabbet is the thickness of the glazing. Fig. 68 shows this “outside molding, slip and glass, and inside bolection molding” sandwich. The inside molding is tacked to the frame to facilitate repairing a broken light. I think that most of the door details in this book are for doors with square-edge frames and applied molding; rather than cope and stick construction.
Hope this helps!!
Thank you Joe. That did help.
I think this was the first LAP book I ever purchased, and it was very timely. The sill for my shop doors had rotted out, and there are no commercially made doors that can correct the problem with the sill. I will have to frame out an entirely new sill and doorway, then build new doors to fit the new opening. The sill is currently less than one inch from the concrete floor. I am going to raise it 4 inches to keep minor flood waters from overtopping the sill, which it currently does whenever it rains hard. Great little book for doing this.