Just in case you need yet another reason to stop by the Lost Art Press booth at Woodworking in America: we’ll have limited-edition, signed Anarchist Tool Chest art prints for your viewing (and purchasing) pleasure.
There are two prints on offer. One design features a collage of 22 images from “The Anarchist Tool Chest” and a silhouette of the iconic Anarchist’s Square. The other design is a poster-sized version of the “chest design” image on page 354 of the text.
All prints have an imaged area of roughly 20 x 30 inches and are made by me in my studio. And to make things even less straightforward, both designs are available in two formats. Why two formats? Honestly, it’s because Chris had a brain aneurism while trying to decide which format he liked better. Don’t worry—he’s fine now. Mostly.
1: Hahnemuhle Photo Rag 308, one of the finest giclée papers in existence. This matte paper seems to absorb light and draws you in like nothing else. The detail, depth and tonality of images printed on it and its velvety texture make it one of my all-time favorites and the gold standard in the fine art print industry:
These sheets are 24” wide by 36” tall, signed at the bottom by both myself and Chris and can be framed like a poster (they won’t be matted and shrink-wrapped version in the photo above). The HPR prints are $80 at the show and will come in a protective bag and rolled in a tube.
2: Canvas Gallery Wrap. These prints are made on a coated cloth canvas, dried, given a protective coating, then stretched by hand onto a wooden frame about 1-1/4″ deep. Images made on canvas have a unique character derived from the surface irregularity of the canvas and the dimensionality of the wrap:
The coating applied to the canvas after the print is made has a slight sheen to it and protects from UV degradation. The wraps can be hung as-is or inset in a frame, offering a very different look on a wall than a traditional framed paper print. These canvas prints measure approximately 20” x 30” and have a black border. They’ll come in a protective sleeve but are a bit unwieldy because they’re mounted on rigid stretcher bars. (They’ll be a great option for those of you driving to Cincinnati). They cost $120 at the show and will also be signed by me and Chris.
We’re bringing a very limited run of all of these prints to WIA: fewer than 50. The prints will be first-come, first serve. And yes, if you buy them at the show we can mail them to you at home (we’ll charge only actual shipping and packaging costs).
After Woodworking in America, we hope to offer these art prints to the rest of our customers. We’ll post details in the coming weeks here on the blog and through the LAP newsletter.
I’ll write a little more on the creation of the ATC images in a later post, but even if you’re not interested in taking one of these prints home for yourself, swing by the Lost Art Press booth at WIA just to see the images produced with greater care and in greater detail than what would ever be possible on the pages of a book.
If there are any questions about the prints, I’m happy to take them in the comments.
— Narayan Nayar, the designer who created the photoillustrations that open the chapters of “The Anarchist’s Tool Chest”
And a mammal of an amazing array of talents!
Chris, This is great, I saw the images and realized I had to have one or two… I had talked myself out of going to WIA so I could get some studio time in carving and then I saw this post and well, see you Friday evening. How late are you and these amazing prints going to be in the Marketplace.. I already have a spot in my Gallery picked out for it..