Hi Chris,
Wood History is getting better and better. Hopefully, will be enough parts to produce a pocket book in the future.
Perhaps you have seen this, but I just wanted to share these links. It might be worth to share them in the blog if you ever wanted to know “HOW TO SHARPEN PENCILS” video by David Rees https://www.youtube.com/watch?v=VkSmaFAuaH4#t=557
Roy Underhill was involved and the video was shot on location at the Woodright’s School.
I trust you and the rest of the LAP community will find this quite amusing.
enjoy
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Through an ancient and halfsecret technique involving the use of cardboard masks damped in water from the Nile, each original thow will be faithfully reproduced employing cotton decanted paper first impregnated with soot straight from sperm whale fat candles’ flames and then protected with de-waxed shellac — sprinkled, not sprayed. These pages, in no particular order, will then be thrown in a bearded joiner built 17th Century engraved Oak box together with a to this day never seen original engraving by Raffaello Sanzio.
The whole thing will then be pressed absolutely flat by a state of the art gigapascals hydraulic press. And properly framed for display:
The Lost Art Press.
Hi Chris,
Wood History is getting better and better. Hopefully, will be enough parts to produce a pocket book in the future.
Perhaps you have seen this, but I just wanted to share these links. It might be worth to share them in the blog if you ever wanted to know “HOW TO SHARPEN PENCILS” video by David Rees
https://www.youtube.com/watch?v=VkSmaFAuaH4#t=557
and his website:
http://www.artisanalpencilsharpening.com/
Roy Underhill was involved and the video was shot on location at the Woodright’s School.
I trust you and the rest of the LAP community will find this quite amusing.
enjoy
Through an ancient and halfsecret technique involving the use of cardboard masks damped in water from the Nile, each original thow will be faithfully reproduced employing cotton decanted paper first impregnated with soot straight from sperm whale fat candles’ flames and then protected with de-waxed shellac — sprinkled, not sprayed. These pages, in no particular order, will then be thrown in a bearded joiner built 17th Century engraved Oak box together with a to this day never seen original engraving by Raffaello Sanzio.
The whole thing will then be pressed absolutely flat by a state of the art gigapascals hydraulic press. And properly framed for display:
The Lost Art Press.