Perchance would you care to procure a new sticker set for your divan, boudoir or your dearest fainting couch? (Translation: Want some stickers for your pie hole?) We have a new set of three stickers available now from my daughter Maddy the sticker princess (not be confused with Katy the wax princess).
This set features a 3”-diameter sticker from the Fancy Lad Academy of Woodworking & Charcuterie. Click here if that doesn’t mean anything to you. The second sticker is 4” wide and is an original piece of art from Suzanne Ellison – a crow made from tools from A.J. Roubo’s “l’Art du menuisier.” The third sticker is the gorgeous cover from “Calvin Cobb: Radio Woodworker!” by Roy Underhill.
These are quality 100 percent vinyl stickers. They will survive the outdoors – heck you could put one on your car. Want a set? You can order them from Maddy’s etsy store here. They are $6 delivered ($10 for international orders).
Or, for customers in the United States, you can send a $5 bill and a SASE (self-addressed stamped envelope) to by daughter Maddy at:
Stick it to the Man
P.O. Box 3284
Columbus, OH 43210
As always, this is not a money-making venture for me or Lost Art Press. All profits help Maddy escape her undergraduate education with both kidneys.
In making plain or flush doors the obvious choice of material appears to be a well-chosen board of solid wood (Fig 353). However this is no solution since the wood may swell or shrink, spoiling the fit, or warp, making any fit impossible. A stable, light door suitable for painting or lower-quality work can be made from a mitred frame to which are glued two sheets of thin ply (Fig 354).
A heavier and more robust door is shown in Fig 355. Here a stronger frame is dowelled or tenoned together with two ply skins. Extra cross members are added to stiffen the door. Air holes are drilled in the cross members and in the bottom rail to equalize air pressure inside and outside. Such cross members must not be too far apart, nor should the ply be too thin (minimum 6mm (1/4in.)), otherwise an impression of the framing may show through.
A door from multi-ply or blockboard is extremely stable, but the edges are unattractive and do not take the hinge screws well. Such a door is generally lipped (Fig 356). The lipping may be butted or mitred at the corners. The tongue is essential for good adhesion, particularly on the end grain of blockboard. The lipping may be applied to veneered material but for better work the lipping is concealed by veneering the whole face after the lippings have been glued and planed flush. Lippings must be made from thoroughly dry material, otherwise shrinkage will take place and the lipping will show through the veneer.
Good-quality handwork makes frequent use of the framed and panelled door (Fig 357), the inner edge of which is moulded or chamfered. The following illustrations show some of the possible combinations of frame and panel.